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Design possibly influenced by her mother Lady Russell who was familiar with recent continental innovations.
Also discusses monument to Francis Holles by Nicholas Stone 1624-7 in Westminster Abbey. Suggests Inigo Jones’ classicism not understood by Stone so soon died out.
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Discusses the armour called “a pair of plates”, the cyclas, spurs, gauntlets and sword belts of the Eltham group which dates from around the 1340s. Discusses Nost’s monument to 2nd Duke of Queensbury at Durisdeer church, Dumfriesshire c.1695-1711 and that of 3rd Duke of Hamilton by James Smith at Bothwell, Lanarkshire 1694-1702. Gough and his circle were the first to study monuments as works of art.Traces Inigo Jones monumental work and his influence on Stone. Tessa Murdoch: Discusses monument of John Hough, Bishop of Worcester d. Also monument to Duke of Argyll and Greenwich installed in Westminster Abbey in 1749.The monuments of to the Duke and Duchess of Argyll at Warkton, Northants 1753-4 and to the Viscount and Viscountess Shannon at Walton on Thames c.1755 and George Lynn at Southwick, Northants 1759-60 are also considered. Discusses, among others, monuments to Isaac Watts 1779 at Westminster Abbey, Bishop Newton at St Mary le Bow d.1782, Sir Eyre Coote at Westminster Abbey 1783-9, Anne Martha Hand at St Giles Cripplegate d.1784, Anne Pakenham at Meath, Eire 1791.Shows Pucellian originals influencing style in other media. Early 17C memorial sculpture saw introduction of classical learning in design.Pattern of patronage changed, key monument is Elizabeth Russell d. Her seated effigy is placed on a copy of a Roman sepulchral altar published in 1602 – probably by Cure workshop of Southwark.